| The
National Federation of the Blind of Connecticut |
| Audio Described Theater |
|
By Matt Lyles My first experience at the Yale Rep came about in this way. Back in October one of the assisting directors contacted me and asked if I would take part in an experiment, which could improve the enjoyment of blind and visually impaired theater patrons. Of course I agreed. I was invited to a preview performance on the second Saturday of the month for the matinee performance of a new student production, which turned out to be a peculiar but fascinating combination of three previous plays: Medea, MacBeth, and Cinderella. The result, I must say, confused me to no end; and yet I laughed enough, despite the chaos. I would not recommend that particular play for anyone with a low tolerance for controlled chaos! Fortunately I was familiar with the three original plays, and thus I could more or less follow the sometimes hilarious, sometimes grotesque effects created by the combined action. Space does not allow an involved account of this truly bizarre student project. I merely mean to review the audio described experiment. One of the theater attendants supplied me with a voluminous Braille program for the performance. Then he put into my hands a small device with a set of ear-bead headphones. He explained that I would be listening to a narration of the dramatic action, broadcast from the second balcony, where a reader with a specially prepared script would narrate the scene. I could adjust the volume of the transmission to my own satisfaction, keeping most of my attention focused on the actual sounds of the performance. This worked very well. I kept only one of the earbeads in place, so that two-thirds of my concentration was devoted to the stage action. The reader's clarifying remarks were never a distraction but did provide those little insights into the visual dimension we as blind moviegoers fail to follow. You know what I mean. A friend often leans over to breathe a few words of explanation during prolonged silences, such as in Hamlet, "The ghost vanishes." True, it is not essential to know that such an action has occurred. The dialogue that follows often makes it sufficiently clear. But at the same time - and there are much better examples - dramatic actions often set in motion whole chains of events in a play's plot; and therefore, we appreciate our sighted friends sharing with us such gestures and actions that may prove tremendously significant later in the drama. The people at the Yale Rep have developed this service in partnership with New Haven Savings Bank. I call it a smart use of advertising dollars. The blind theater patron's benefit, New Haven Savings Bank benefits, and the Yale Rep benefits. Take advantage of the service for your own theatrical benefit! Offer your opinions to the Yale Rep, as they continue to improve the service. You may contact the Yale Rep using the mailing and telephone information provided below. Or access the excellent web site: www.yalerep.org. There you will find data on each show, plus pricing on single and season tickets, and also news of other special services, such as sign language for any friends you know who happen to be deaf. Feel free to call
or send me e-mail with further questions. I will help you arrange for
tickets and even suggest an area restaurant for a pre-show dinner!. Call
me at 203-436-3493; or send e-mail to: jarrel.lyles@yale.edu.
Or contact the Yale Rep directly at
|
| Return to The National Federation of the Blind of Connecticut Home Page |
|
|
|
For more information, E-mail us at: info@nfbct.org |
|
|
| The National
Federation of the Blind of Connecticut 477 Connecticut Boulevard, Suite 217 East Hartford, CT 06108 (860) 289-1971 |
|
|
| Updated March 14, 2003 |